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After a one-album sojourn away from their band-built recording studio Philadelphia’s Dr. Dog returned home to Meth Beach to self-produce their latest collection of gloriously ramshackle rock ‘n’ roll reveries. Out February 7, Be The Void (Dr. Dog’s second release on Anti-Records) showcases the critically adored band’s renewed commitment to cultivating a stripped-down live sound. “This record comes from our pushing toward a rawer, more powerful, somewhat jittery competence,” explains guitarist-vocalist Scott McMicken. “We drew a lot of inspiration from soul music and the Rolling Stones and the Velvet Underground—music that’s got its roots in live expression rather than that studio-perfected sort of vibe.”

 

While Be The Void bears the same style of scrappy yet hook-packed rock served up by Dr. Dog for more than a decade, the six-member outfit (McMicken, bassist-vocalist Toby Leaman, rhythm guitarist Frank McElroy, keyboardist Zach Miller, drummer Eric Slick and multi-instrumentalist Dimitri Manos) seems newly emboldened by its deepened devotion to a bare-bones aesthetic. A marked departure from the soaring pop of 2010’s Shame, Shame, the album also finds Dr. Dog revitalized by the recent addition of Slick (who’s previously played with Ween, Adrian Belew, and Project Object) and Manos (also a member of Arizona-based alt-country band Golden Boots).

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